What is podsafe music and why should I, as an artist, care?

According to Wikipedia:

Podsafe is a term created in the podcasting community to refer to any work which, through its licensing, specifically allows the use of the work in podcasting, regardless of restrictions the same work might have in other realms. For example, a song may be legal to use in podcasts, but may need to be purchased or have royalties paid for over-the-air radio use, television use, and possibly even personal use.

According to the Podsafe Music Network:

Podsafe music is described as a work that meets all of the following conditions: Works submitted to the Podsafe Music Network are the property of the artist, and all rights to these works, including lyrics and music, are the property of the artist. AND All works contain no recordings, lyrics, copyrights, or other elements that are the copyright of any other artist, except under the limited provisions of the Creative Commons License Agreement (http://www.creativecommons.org). AND Despite any recording contracts with RIAA, ASCAP, or BMI, or other recording industry entity, the artist retains ownership of the works, and is free to distribute, broadcast, license or sell these works at the artist's discretion.

The basic idea is that the owner of the music allows the podcaster to use it in exchange for the exposure the artist will gain from this use. This has proven to be a mutually beneficial arrangement for thousands of podcasters and thousands of artists.

A simple way for artists to make music podsafe and available to podcasters is for them to post it to the Podsafe Music Network (PMN). This service provides a pre-packaged license for the artist and the podcasters setting forth what is allowed and what is not. It also provides an opportunity for the music to be sold online at 99 cents a song with no DRM, although this aspect of the PMN is optional.

While the PMN is by no means the only avenue for the distribution of podsafe music, it is often the simplest with the least overhead for the artist.

There have been many reviews of Stardust comparing it to The Princess Bride. While I think the comparison is valid, it is less because the movies are terribly alike, and more because they are of the same genre. Off the top of my head, they are the only two movies I can think of in that genre. For the sake of continuing to talk about this genre, I'm going to start refering to it as Fairy Tale, but there is a distinct possibility that that name will turn out to be a misnomer as more movies are made in the genre.

Before defining what this genre is, I'm going to explore what other genres have in common that differentiates this one from them, because I've begged the question by naming the new genre Fairy Tale. Surely, I hear you cry, there are tons of movies in the Fairy Tale genre. I say that there are tons of movies based on fairy tales that have been made in other genres. Whenever Hollywood makes a movie from an existing story, they do so in one of the genres they are comfortable with. It is a pretty solid rule that when a story is made into a movie, some elements will have to be dropped to make it fit into a two hour movie. Which elements are cut will depend on the genre in which the movie is being made. If we're making a romance, we'll tend to drop action sequences. If we're making a thriller, we tend to drop comic interludes. And so forth.

What distinguishes Stardust and The Princess Bride is that they are made in the genre of Fairy Tale, with all of their elements intact. Cuts have certainly been made, but they are not categorical cuts, but primarily ones of duration and detail. They contain all of the elements of their respective base stories, not sacrificing them for a genre. It is entirely possible that other movies will be made with all of their elements included, if truncated. If some of them fall out side the fairy tale classification, I'll have to change the name of the genre, until then, I'm sticking with Fairy Tale.

I think that being part of this genre is a large part of what will help these movies endure as classics. Being fairy tales makes them timeless, but being complete will make them stable.

I heard this morning that the Governor of Minnesota has called for an emergency inspection of all bridges in the state with the same structure as the one that collapsed.

I may well be missing something here, but my understanding is that there is already a national bridge inspection database, which rated the collapsed bridge as unsafe in 1990. We don't need an emergency inspection sweep, we need to do something about the bridges which have already been inspected and rated unsafe.

It was said that the unsafe rating was not significant because there were 77,000 other bridges with the same rating in the country. To me, this seems like saying that DUI related deaths are not significant because there are hundreds of them every year. The fact that there are lots of a bad thing does not make the thing better. Maybe I'm just missing the logic here.

Michael Stackpole has refered to the relationship between authors and readers as an ongoing game of Name That Tune. That the reader is constantly thinking, "Oh, I know how this ends," and it is the author's responsibility to say "No, you don't." If the author is right, and the reader gets to the end thinking, "I see how we got here, and it makes perfect sense, but I never saw it coming," the author has succeeded. If the reader was right, they're unlikely to ever read that author again.

I'm inclined to think that Michael is right, at least most of the time. I know it's been true for the books I have enjoyed the most. There have been a couple of cases of books that were very predictable that I enjoyed immensely, but they have tended toward cliché books which are a literary equivalent of B-movies. Immensely fun, but not high art.

OK, I think it may be time to finally address this issue.

What do I think about illegal immigrants? I think they're here illegally and should be deported. Categorically. I think that they are not entitled to any benefits of our society such as public education and welfare. Instead, they need to be on the next bus, train, boat, plane, whatever, to send them back home.

I'm not against immigrants in the least. I'm just against illegal immigrants.

I've heard the argument that we need them to sustain our economy, as they will take the jobs that "American's" won't. I say we up the immigration quotas if that's true. I've no objection to them being here and working and living and playing etc. What I object to is the fact that they have effectively line-jumped those who are trying to come in legally. I object to the fact that they want the benefits of our society (i.e. medical care or education) without supporting it (e.g. paying taxes).

I've heard another argument that there are too many of them to deport. "Heck," they say, "look at the fact that we couldn't even effectively evacuate New Orleans. How are we going to transport all the illegal aliens?" To which I say, we're never going to do it if we don't start. It's not like I think we can round them all up simultaneously. If we transport them as we catch them, I have to believe that it's an achievable goal.

Personally, I'm more interested in addressing this aspect than in "tightening borders." I don't think we can practically close the borders. But in the current climate, the view for an alien is that once they're in, they're golden. If we change that to once you're in, you're a criminal fugitive, there's less incentive to enter illegally. Make it better to follow the rules than break them, and shockingly more people will follow those rules.

Well, my 1st gen iPod has finally died.  Now I am in a quandry.  Much as I would love to replace it with a video iPod, I'm not sure I can justify the expense.  On the other hand, I can spend about $130 to replace the dead hard drive in my old 5 GB with a 20 GB one.  Hm...

I am concerned about all of the furor surround same-sex marriages. My concern stems from what I think is a miscommunication: is marriage a secular or religious institution. I believe that as a religious institution, any given religion absolutely has the right to reject same-sex marriage. However, when it is an institution recognized and sanctioned by the government, I believe that it must apply equally to all. The fact that a particular church rejects same-sex marriage is not a reason for the government to do the same. There is a separation of church and state.

One must ask what the purpose of government recognition of marriage, and what that recognition entails. If the purpose is to promote stability of households and therefore communities, I see no reason for a restriction based on gender. If it is to provide government sanction to a religious institution, I believe it violates the separation of church and state.

What I am trying to say is this: if marriage is religious in nature, it should not be sanctioned or regulated by government and should have no direct effect on government activity such as taxation. If, on the other hand, it is a secular institution maintained and regulated by the government for the good of society, the gender, race, creed, sexual orientation, etc. of the participants should not matter.

Therefore, I think an amendment banning same sex marriage is senseless, since it either does not apply due to separation of church and state, or does not apply because it doesn't matter whether the parties involved are male or female.

Saw Sin City over the weekend and all I can say is "Wow!" It is incredibly dark and violent (think Reservoir Dogs and Pulp Fiction), but is a technical masterpiece. The acting is phenomenal, no surprise given the cast, but the film-making artistry is unmatched to date.

When you realize that many of the actors never met (at least, on set), even some who fought each other on screen, and that people who didn't know could not tell that the "sets" didn't exist, you can't help but be impressed.

On Being and Deliciousness

As usual, Wil has some tremendous insights into the development world. I am very impressed with his views on the future of development and heuristics. I also think that his analogy between development languages and syringes is spot on.

I think he slightly missed the mark when commenting on not wanting to adopt the habits of large companies however. He compares a large successful company to an old, rich, and dying man. He says that adopting a large businesses habits is like saying "I'm going to start walking with a cane and I'm going to act crotchety and I'm going to get liver disease." I think it would make a better analogy to say that copying a big companies practices is like saying "I'm going to drink, smoke and eat rich food." That is what the successful old man does, but it is not what made him successful and rich. This hits a bit close to home :)